Harding is an excellent brand and does little to alter the natural handling characteristic of each pigment. Many Doak paints seem to be particularly oily throughout the tube, but his colors are so fantastic, I have to put up with oily thin paint! These balancing processes create tension-free and even drying of the colour layers and thus guarantee the longevity of the painting. As an artist, painting in as archival a manner as possible is important to me, and takes no additional effort nor expense. Schmincke Mussini Artist Oils, developed from a precious and secretly guarded recipe passed to Schmincke in 1881 from Florentine Professor Caesare Mussini, use the Old Masters’ knowledge and experience with traditional resin-oil colours. Yes, linseed oil yellows over time. Painter 101 — did you mean Michael Harding (or Daniel Smith)? Every year Wet Paint sells a limited edition 12 pan set for a really good price. Those who own my paintings aren’t wealthy for the most part. Funny thing about what you’re telling about Griffin alkyd paint. I’m interested in their line since their apparently more luminous and rich than ordinary linseed oil paint. I only have a few tubes of Mussini. Make offer - Schmincke Mussini Oil Paint 35ml Naples Yellow Light no4. Schmincke's Markus Baumgart explains how Schmincke MUSSINI® fine artists’ resin-oil colours are made. But I also know that to many artists, that is not a priority. In my opinion, excess use of these ingredients often also impairs the working qualities of the paint. Those might be a better bet. I have never experienced any drying problems or paint cracking or unusual yellowing. So — how intensely did you “try” them (how long, or how many paintings)? This allows for more luminous, stable colours. Painter 101 — it really depends on the pigment and how it is ground. Finest artists´ resin-oil colours. The excellent drying properties of MUSSINI ® resin-oil colours come from the fact that the oil parts of the colours increase in volume by absorbing oxygen, while the solvents of the natural resin solution evaporate, thus ensuring a shrinkage in volume. Well hopefully, by looking at what happened to these gems of the past and listening to what the conservators say are good painting practices and would prevent these problems, we can arrive at a more archivally sound working method. If you were to only use Mussini and Harding, I am sure you could be very happy with your results. Jamie — you raise many questions from your statements. If by “good quality” you mean “long shelf life” then yes, good quality paints don’t separate. The MUSSINI range comprises a total of 101 colours + 7 gold shades; 64 of these are single-pigment colours that guarantee brilliant mixing results. As for oily paint, itn’t quality oil paint supposed to be be smooth, as there is no thickners in them? The Mussini Paint line is manufactured in Germany by the Schmincke Paint Factory, very well known as the producers of the finest pastels and watercolors. Full Pan Set, 12 Colors in a metal box at Dick Blick- $140. [quote]And how many of us use mediums based on damar? This makes Mussini unique in the arena of manufactured paints. The high luminosity and the best lightfastness of all colours and the pleasantly pasty consistency are highly valued by oil painters all over the world. walnut oil, safflower oil, poppy and sunflower oil, are added optimize the formulations. The quantity of resin in Mussini is not a great amount of the total volume — from my estimates, less than 5% and that is acting as part of the binding oil mixture, not on top of a normal quantity of oil for grinding the paint. 4 in stock. The fact that many of those works are in such poor condition should be a lesson to us. I recommend this product to any artist working in oils because one needs just a small amount at a time due to the high pigment content. As well as traditional oil mediums. It costs no more and takes no extra time to produce a painting that will stand the test of time as well as possible. Add to cart. Shelf life, to me, is not a significant indicator of paint quality. I posted a chart on the Vermilion thread where the pigment content of the WN Cad Red is shown to be weaker than the corresponding Old Holland Cad Scarlet and Cad Red Medium. These balancing processes create tension-free and even drying of the colour layers and thus guarantee the longevity of the painting. Why is everybody so afraid of yellowing and cracking? The top brands use little or no stabilzers or “fillers”, although occasionally some pigments need them. Nothing out of the ordinary, other than exceptional color quality and a tremendous range of pigments. Of course, those non-separating paints might not have much else to recommend them. Schmincke Akademie Oil AKADEMIE® Oil color ensure brilliant results due to the many single-pigment colours, both directly used from the tube and as mixtures. Depending on the pigments, other oils, e.g. Home › Forums › Explore Media › Oil Painting › The Technical Forum › MUSSINI oil paints? And how many of us use mediums based on damar? With fine watercolours and artists’ oil paints, Schminke also produces pastels and paint sets, all manufactured to be top quality for artists across the world. I don’t use ONLY Mussini — I use many of the other top brands, and they are all inter-mixable, rest assured. Schmincke is my favourite brand for oil paints because the pigment content is high, there is a vast choice of colours and the consistency of the oil paint makes it easy to mix and apply. 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